Joel rhodin photographer biography
- MINK MGMT.
- Joel Rhodin was born on March 28, 1975.
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35 Gifted Photographers With Exceptional Web Profiles That Will Convince You
They say that anyone can pick up a camera and start taking beautiful photographs, as long as the camera that they use is of utmost quality type. I tend to disagree. While there are natural born gifted photographers, many have to go through countless years of learning and hardship to achieve a remarkable standard in photography.
Being a good photographer is definitely not easy. You must have your personal beliefs, perseverance, hunger for success, good luck, money to get good equipments and steady hands. A good photo comprises of many elements. Not only must you hit the shutter at the right time and moment, the perception, composition and colour coordination plays a major role too.
Back by popular demand, we want to introduce you another wave of gifted photographers around the globe together with their awe-inspiring portfolios. Let their photos convince and inspire you.
Personal Traits Of Becoming A Successful Photographer
Here, we briefly discuss some personal traits that may nurture you into
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Bea Szenfeld, 2016
Photo: Joel RhodinEditor’s Note: This interview with Bea Szenfeld was conducted in 2016 in connection with her “Everything You Can Imagine Is Real” exhibition at Bikini Berlin. We’ve revisited and edited this story as an artwork she exhibited then is included in “Sleeping Beauties: Reawakening Fashion.”
Never coming up flat is the work of Bea Szenfeld, a Polish-born, Stockholm-based artist whose medium is paper. Szenfeld worked as a ceramicist and sculptor before pursuing a fashion degree at Beckmans College of Design in Stockholm. After graduating, she landed a job in the industry. Quickly realizing that working with commercial clothes was not her thing, she “jumped back to work with clothes in art.”
Bea Szenfeld, 2016
Photo: Joel RhodinBea Szenfeld, 2016
Photo: Joel RhodinInspired by the experimental garments she made at school, Szenfeld chose to work again with paper, a material, she said, that “has its own plan, its own life. I can do whatever I can to make it comfortable and to stay the way it was from the beginning,” she explains, “but
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