Frans hals exhibition

Frans Hals was born in Antwerp in 1582 or 1583 to Franchois Hals (1542–1610), a cloth dresser from Mechelen, and his second wife, Adriana van Geestenryck (1552–1616), the widow of a tailor.1 The family moved to Haarlem shortly after the Fall of Antwerp in 1585. Hals’s brother, Dirck (1591–1656), was born there in 1591 and also became a painter. We have no information regarding Frans’s artistic training. According to the anonymous biographer of Karel van Mander (1548–1606), Hals trained under him, but Van Mander himself makes no mention of this in his Schilderboeck of 1604.2 Hals could have spent some time in Van Mander’s workshop after the publication of this book, though this seems fairly unlikely considering that from 1603 until his death in 1606 Van Mander was not living in Haarlem. The first official record of Hals’s presence in Haarlem dates from 1610, when he joined the Guild of Saint Luke.

Except for a brief sojourn in Antwerp in 1616, where he became acquainted with the work of Peter Paul Rubens (1577–

Summary of Frans Hals

Hals was the first Master of the Dutch Golden Age of painting and his creative energy and vivacious character depictions played an incredibly important role in the evolution of portraiture as a genre. Instead of conforming to contemporary notions of beauty or stereotypical appearances, Hals subjects have clearly differentiated faces that are unique and lifelike in appearance and his sitters are often portrayed in relaxed poses and situations, engaging with those around them instead of gazing directly at the viewer. This approach to portraiture was new and Hals's work spawned many imitators in his own period and many of his approaches were adopted as part of wider movements in Dutch art. His ideas also saw something of a revival in the nineteenth century, with his paintings influencing both the subject matter and the stylistic approach of the Impressionists.

Accomplishments

  • The smile is the hallmark of many of Hals images, ranging from a glimmer in the eye to a broad grin and this was unusual at a period when sitters were traditionally depicted with thei

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    (b Antwerp, 1582/3; d Haarlem, 29 Aug. 1666). Dutch painter. He was Flemish by birth; his parents left Antwerp after the city was captured by the Spaniards in 1585 and moved to Holland. They had settled in Haarlem by 1591 and Hals spent the rest of his long life there. He was twice married, had at least ten children, and was constantly in financial trouble. Houbraken says he was ‘filled to the gills every evening’, but there is no real foundation for the popular image of him as a drunken wife-beater. His second wife, however, was more than once in trouble for brawling. During his last years he was destitute and the municipal authorities of Haarlem awarded him a small annual stipend four years before his death.Hals was the first great artist of the 17th-century Dutch School and is regarded as one of the most brilliant of all portraitists.

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    Almost all his works are portraits and even those that are not (some genre scenes, and an occasional religious picture) are portrait-like in character. He is sa

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