Franz west artist biography
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Franz West
Franz West was an internationally renowned sculptor who is considered one of the most influential artists of the past 50 years. He began to develop his works in the 1970s, centered around sculpture but also including drawing and collage. From the 1980s, West focused on art as something to use and communicate with by inventing the Passstücke—Adaptives. These are sculptures that can be touched and worn by the viewer, situating themselves somewhere in between a trap and a supporting device. West referred to them as incarnations of neurosis. In the following years, West produced a significant oeuvre of sculptures made of plaster and Papier-mâché, furniture, collages, and large-scale sculptures, which were often intended for public spaces.
Diwan
2014
Steel, foam, linen
95 x 238 x 83 cm / 37 3/8 x 93 3/4 x 32 5/8 in
Open edition
© Archiv Franz West © Estate Franz West
Clubfauteuil
1998/2014
Metal, wood, foam, linen
92 x 82 x 81 cm / 36 1/4 x 32 1/4 x 31 7/8 in
Open edition
© Archiv Franz West © Estate Franz
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Born in 1947, in Vienna
Died in 2012, Vienna
Education
1970
Commenced artistic activities
1977-82
Studied with Bruno Gironcoli at the Academy of Fine Arts, Vienna
1992/93
Teaching assignment at the Städelschule, Frankfurt, DE
Solo Exhibitions
2019
Tate Modern, London, UK
Centre Pompidou, Paris, France Travelling to Tate Modern, London, UK
2018
Centre Pompidou, Paris, France
2017
Artistclub, curated by Harald Krejci, 21er Haus, Vienna
Maison des Arts Georges Pompidou, Cajarc, France
Les Pommes d’Adam, Hall Art Foundation, New York
Galerie Mezzanin, Geneva, Switzerland
Works 1970–2010, Gagosian Gallery, Geneva, Switzerland
2015
Franz West: Les Pommes d'Adam, Hall Art Foundation at MASS MoCA, North Adams, US
2014
Franz West: Where is my eight?, The Hepworth Wakefield, Wakefield, UK
2013
Retrospective, Mumok, Vienna, Austria
Franz West: Where is my eight?, Museum fur Moderne Kunst, Frankfurt, Germany
2012
20/21er Haus, Vienna, Austria
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Franz West
Room 1
Franz West
Franz West, who died in 2012, combined an irreverent and playful approach to sculpture, furniture and collage with an interest in philosophy, literature and music. He was fascinated by the work of other artists and collaborated with them in various ways.
In the mid-70s, West developed small sculptures (the Passstücke or Adaptives) which people could play with. These were some of the first interactive sculptures in twentieth-century art. By the mid-80s, he was showing ‘Legitimate Sculptures’ on pedestals. He began producing furniture, which he also saw as sculptures. In his work he often used materials associated with the kindergarten like papier mâché, incorporating empty alcohol bottles, and slathering on paint while on the telephone to friends.
West lived in Vienna and was very connected to its culture. The work of philosopher Ludwig Wittgenstein and Viennese experimental literature attracted him. So did the leisurely atmosphere of coffee houses and the legacy of psychoanalysis as conceived by Sigmund Freud, including the idea of reclin
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