Santa croce florence

The Countess of Albany and the monument for Vittorio Alfieri

By Samuele Magri – Art Historian and Tourist Guide in Florence
samuele.firenze@libero.it Phone: 340 5278209

Luisa, the Princess of Stolberg, a Belgian noblewoman of German ancestry, born in 1752, had come to Italy to marry Charles Edward Stuart in 1772, a catholic suitor at the throne of England who was exiled in Italy. After their marriage, they were awarded the title of Counts of Albany, the Pope not wanting to recognize the claim of Stuart to the throne of England; this was the reason why the couple moved from Rome to Florence, in a building known since then as the “Palace of the Pretender” in via Micheli, today the Faculty of Architecture of the University of Florence. This was the city where love blossomed between Luisa and Vittorio Alfieri. Married life was very hard for her because of the big age difference between the two of them and her husband’s alcoholism. Luisa fled to a convent in Florence and then to Rome, where she was approached by Alfieri with great scandal. Later on she lived in France with

File:S. croce, tomba vittorio alfieri.JPG

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    Antonio Canova

    Artist: Antonio Canova (Possagno 1757 - Venice 1822)
    Title: Monumental tomb of Vittorio Alfieri (1749-1803)
    Date:1804-1810
    Material and tecnique:marble
    Dimensions: 440 x 240 cm
    Position: Basilica of Santa Croce, south aisle, between the third and fourth bays

    When poet and playwright Vittorio Alfieri died in 1803, Louise of Stolberg-Gedern, the Countess of Albany and his last flame, commissioned the celebrated sculptor Antonio Canova to produce a monumental tomb for the sum of 10,000 scudi. The following year the sculptor made a design and a plaster model of a bas-relief showing Italy weeping before a bust of Alfieri and a figure, possibly the Genius of Tragedy, but on the advice of the painter François Xavier Fabre, the Countess expressed a desire for a monument with a greater visual impact including at least one statue in the round. After devouring the poet's works and labouring long and hard, Canova met her request by devising a monumental tomb which he himself describes as being: "as solemn and majestic as I could make it, so that

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